Original publication

2014

Average rating

—

Total reads logged

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Opening Excerpt

From the story

You could tell just by looking—grape-soda stains on their kids’ T-shirts, cheap dye jobs, bad teeth—the people of Alna were poor. Some of them liked to huddle on turnouts or thumb rides up and down Route 4, sunburnt and tattooed, but I never thought to stop and pick one up. I was a woman alone, after all. And I didn’t want to have to talk to them, get to know them, or hear their stories. I preferred to keep the residents of Alna as part of its scenery. Wild teens, limping men, young mothers, kids scattered on the hot concrete like the town’s lazy rats or pigeons. From a distance I watched the way they congregated, then dispersed, heads hung at mid level, neither noble nor disconsolate. The trashiness of the town was comforting, like an old black-and-white movie. Picture an empty...

Story Vibe & Style Profile

Literary Dimensions
Emotional Weight 3.6 / 5

Bittersweet

Narrative Pacing 1.2 / 5

Contemplative

Literary Style 3.0 / 5

Contemporary Literary

Speculative / Reality 1.2 / 5

Realistic / Mimetic

Appearances

About the Author

Ottessa Charlotte Moshfegh is an American author, novelist and screenwriter. Her debut novel, Eileen (2015), won the Hemingway Foundation/PEN Award, was shortlisted for the Booker Prize, and was a fiction finalist for the National Book Critics Circle Award. Moshfegh's subsequent novels include My Year of Rest and Relaxation, Death in Her Hands, and Lapvona.

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